by Hilary Lindsay | Jun 13, 2016 | Asana, Healthy Living, medical yoga, nashville yoga, Physiology, Pranayama, therapeutic yoga, Yoga, yoga class, yoga teacher, yoga teaching |
Note: This is for intermediate students What draws the viewer’s eye to a yoga pose is the surface. The viewer does not observe the work beneath the surface but if the pose is executed with grace it is because the work beneath the surface is done with integrity. This is balance through opposition. This is bridging the places in between. This is the bandhas. Ardha Chandrasana (Half Moon) is an excellent posture to demonstrate this lesson. Assume the posture with your back to the wall and the right foot leading. You will use the wall for support for the back body, including your head. The right foot is a few inches from the wall to accommodate the pelvis. Bend the right knee until it’s over the ankle and then lift the right knee to lift the right hip. Allow the left leg, the back leg, to rise and stop when you feel resistance. Pulse the back leg and up and down a few inches. Stop and observe. With the left leg stuck at the point of resistance, lift up vigorously with the right ankle bone to ignite the lift of the knee and then the hip. The buttocks muscles will respond and begin the rotation of the pelvis. The muscles will move to the bones and pull the skeleton to the mid-line. That is the impetus and support that now allows you to raise the back leg higher. Raise the left leg firmly and note the relation between the two legs. Assume the posture Supta Padangusthasana,(Reclining Hand to Foot Pose) with your back on the floor. Place...
by Hilary Lindsay | Mar 25, 2016 | anatomy, Asana, Ethics, Feldenkrais, Healthy Living, Meditation, nashville yoga, Physiology, Social Commentary, therapeutic yoga, Yoga, yoga class, Yoga psychology, yoga teacher, yoga teaching |
Yoga was a gift from a friend. Later I sought meditation to get me through college final exams. I was a rebellious teen becoming sensitized though I didn’t mean to. Running from a life of certainty I became staff at a Macrobiotic restaurant. The staff was given classes in Macrobiotics by the head chef. You are what you eat. You are who you eat. You are how you eat. Doors of the mind opened. This was the seventies. Base is everything. As the Macros say, “little yin attracts big yin” which meant that a taste of something is enough to suck you into something bigger. It was not a good thing with yin food (talking sugar etc. here) but it was a great thing with movement. I danced. Ballet, Modern and Haitian lead me to the worn wooden floors of dozens of somatic studios. This is how I move, how I look, how I feel. Aerobics, Pilates, Barre, Power Yoga, Feldenkrais, Tai Chi, Breema; the avenues were endless if you were inclined to find them even at the edge of the fitness revolution. From the weird to the woo- woo, to the sublime, to the scientific I dove in to things that seemed to jump out to find me. In California I embraced color healing, sound healing and acupuncture. I tried colonics, dream therapy, re-birthing and then there was Dora Lee the chiropractor who told me to make a list of all my unresolved relationships. She pressed my spine; asked me who number 10 was as the room filled with the smell of cigarette smoke;...
by Hilary Lindsay | Nov 13, 2015 | anatomy, Asana, Healthy Living, medical yoga, nashville yoga, Physiology, therapeutic yoga, Yoga, yoga class, yoga teacher, yoga teaching |
Stand in Mountain Pose, Tadasana Feet root to the ground, tail roots to the heels, head rises from the tail, chest rises and arms draw down Shift to one leg and raise the other foot in the air, knee bent Where does your tongue go? Is it at the roof of the mouth? Is there hardness to the breath? Can you feel the pinch of the pelvic floor and the tightening of the diaphragm? This is the drawing in of the sphincter muscles that correspond to the bandhas Are you gripping? Stand down Step forward purposefully as if over your own arch and raise the other foot, knee bent Is the tongue in a different place? Is it at the bottom of the mouth? Is there softness to the breath? Can you feel the light lift of the pelvic floor and the soft expanse of the diaphragm? Is this easier? When there is too much effort, the trunk clamps down on itself and confines you. When you try to gain space in a posture done with wrong effort, that space may not be good space but compressed space. There will be a lack of prana or grace. When you include space when creating your pose, that space will be good. There will be a sense of prana or good flowing energy and grace. Asana is interpreted as good space. The bandha tone comes naturally when the muscles are directed correctly. This is a combination of sthira and sukkha which is effort and ease. Good space during effort is described by the bandhas. The bandhas...
