by Hilary Lindsay | Jan 10, 2016 | anatomy, Asana, Healthy Living, medical yoga, therapeutic yoga, Yoga, yoga class, yoga teacher, yoga teaching |
Below and also here is a link to an excellent article on plantar fasciitis. I’ve given you yoga postures to help with strength and flexibility to assist you. For strength: Tadasana or Mountain Pose Standing with feet slightly apart lift all ten toes to feel the arches rise. Press into the base of the toes. Look at them. Are the little toes coming up as well? Put toes down and maintain the lift of the arches. Lift the arches of the inner knees, the inner groins and lift the inner arches of the hip bones. Pick up the skin of the legs and feet. Pick up the abdomen. To increase awareness, raise your arms, firm the muscle to the bone and pick up the skin of the chest. Soften so there is action without strain. Feel and hold the memory with steady breaths. For flexibility: Vjrasana or Hero Pose and Modifications Kneel on blanket with knees together. Press calves back and sit on heels. Re-position by lifting hips and holding heels together to sit back again with sit bones behind heels which will press the heels forward. If the ankles can stretch more, put a rolled blanket under toes and sit again. If the ankles are tender and need support, put a rolled blanket under the ankles and sit again. If the knees are stiff have another rolled blanket behind the knees or a folded blanket under the buttocks between the feet. Binding the ankles with a strap is the final stretch for the inner ankles but not necessary. You just need manageable sensation. To stretch the outer...
by Hilary Lindsay | Nov 13, 2015 | anatomy, Asana, Healthy Living, medical yoga, nashville yoga, Physiology, therapeutic yoga, Yoga, yoga class, yoga teacher, yoga teaching |
Stand in Mountain Pose, Tadasana Feet root to the ground, tail roots to the heels, head rises from the tail, chest rises and arms draw down Shift to one leg and raise the other foot in the air, knee bent Where does your tongue go? Is it at the roof of the mouth? Is there hardness to the breath? Can you feel the pinch of the pelvic floor and the tightening of the diaphragm? This is the drawing in of the sphincter muscles that correspond to the bandhas Are you gripping? Stand down Step forward purposefully as if over your own arch and raise the other foot, knee bent Is the tongue in a different place? Is it at the bottom of the mouth? Is there softness to the breath? Can you feel the light lift of the pelvic floor and the soft expanse of the diaphragm? Is this easier? When there is too much effort, the trunk clamps down on itself and confines you. When you try to gain space in a posture done with wrong effort, that space may not be good space but compressed space. There will be a lack of prana or grace. When you include space when creating your pose, that space will be good. There will be a sense of prana or good flowing energy and grace. Asana is interpreted as good space. The bandha tone comes naturally when the muscles are directed correctly. This is a combination of sthira and sukkha which is effort and ease. Good space during effort is described by the bandhas. The bandhas...
by Hilary Lindsay | Apr 5, 2015 | Asana, nashville yoga, Prose, Yoga, yoga class, Yoga psychology, yoga teacher, yoga teaching |
Your body and mind communicate by an unspoken language. You begin class standing at attention when I suggest you lift the skirts of your inner thighs. Your skin shifts upward like an arrow shot from ankle holsters. Your bones react and pull toward earth. Your breath migrates to the fullest reaches of your ribs; all of them. Inner thighs do not have skirts. Your mind has translated this to something else. Bravo. ~Your belly, receptive to the upward pull of the thighs moves in and up. ~Your calves, receptive to the upward pull of the thighs draw down. ~The heels root. ~The thighs rise. ~The buttocks descend. ~The chest lifts. If the pose is set in motion correctly, the rest falls in to place. Who will begin the dialogue for the body to follow before you know the first word? The approach offered stealthily does not overwhelm the student. It is most effective when both delicate and deliberate. That is the catalyst to poetry in motion. Your guide is the teacher who directs you with the first word. And allows the ones that follow to be uniquely your...
by Hilary Lindsay | Mar 13, 2015 | anatomy, Asana, nashville yoga, Yoga, yoga class, yoga teacher, yoga teaching |
Study a photograph of your face cut down the middle and notice that the two sides are not identical. The naked body will reveal the same thing. Most of us are uneven. When I started teaching yoga I saw a room full of people. As I became more seasoned I saw a room full of individuals. How would I teach them all with their disparate unevenness! I explore sensation with my own body, examine the process of dealing with my own pain and pleasure and begin with the assumption that no one is even. I can only offer what I know for fact. Insight and experience give me the confidence to teach through the template of my own crooked being and all it has done to right itself toward an experience of quality. New students are usually less sensitive to imbalance and it gives them the opportunity of awareness. My most uneven students are teachers or experienced students who reap tremendous benefit from this approach. People who are fairly balanced have the opportunity to work with more precision. Here are a few explorations of potential imbalance that might lead to harm if not considered in a yoga practice. Inquiry # 2: Sitting ~ Contract your buttocks. Does one side contract faster than the other? If so, contract the slacker side first when doing symmetrical strength postures or exercises. Standing~ Bend your knees. Does one knee bend faster than the other? If so, drive the heel of the foot on the side that is slacker harder into the floor as you proceed....
