by Hilary Lindsay | Aug 16, 2015 | anatomy, Asana, Healthy Living, Meditation, nashville yoga, therapeutic yoga, Yoga, yoga class, yoga community, Yoga psychology, yoga teacher, yoga teaching |
Thanks to my failed relationship to all things virtual connection, I had lost much of my cherished music in a wrong attempt to switch I-tunes to my new computer. In the resulting fit of pique I had foregone music in class for the better part of a year and turned to my left brain teaching mode but I need music tonight so I plug this vintage I-pod in knowing that what will or will not play is a mystery. I’ve got a play list running that had been shot full of holes in the firestorm. Tonight I’m checking this out to see if something destroyed has been impossibly recently resuscitated by my I.T. guy. I’ve desperately missed conducting movement to music which was lost in tandem by my crapped out hip and my crapped out I-pod. The students trickle in. I decide to let untested music ride as class begins. As we settle down it’s apparent that the song playing is a bit intense. The list is called Alternative. It was arranged to tear your salty heart from a bomb shelter and restore it honey dripping to an emerald cave. “Hello friends. I’m running a questionable play list which is an interesting choice right here as I don’t remember what’s on it and I don’t know most of you. Music is personal. Something here might urge you to run screaming from the room. I want you to do this (hand raised) if a song makes you nuts and I will cut it off. If you agree, we’ll continue this experiment together. I hope it serves...
by Hilary Lindsay | Apr 5, 2015 | Asana, nashville yoga, Prose, Yoga, yoga class, Yoga psychology, yoga teacher, yoga teaching |
Your body and mind communicate by an unspoken language. You begin class standing at attention when I suggest you lift the skirts of your inner thighs. Your skin shifts upward like an arrow shot from ankle holsters. Your bones react and pull toward earth. Your breath migrates to the fullest reaches of your ribs; all of them. Inner thighs do not have skirts. Your mind has translated this to something else. Bravo. ~Your belly, receptive to the upward pull of the thighs moves in and up. ~Your calves, receptive to the upward pull of the thighs draw down. ~The heels root. ~The thighs rise. ~The buttocks descend. ~The chest lifts. If the pose is set in motion correctly, the rest falls in to place. Who will begin the dialogue for the body to follow before you know the first word? The approach offered stealthily does not overwhelm the student. It is most effective when both delicate and deliberate. That is the catalyst to poetry in motion. Your guide is the teacher who directs you with the first word. And allows the ones that follow to be uniquely your...
