by Hilary Lindsay | Jun 13, 2016 | Asana, Healthy Living, medical yoga, nashville yoga, Physiology, Pranayama, therapeutic yoga, Yoga, yoga class, yoga teacher, yoga teaching |
Note: This is for intermediate students What draws the viewer’s eye to a yoga pose is the surface. The viewer does not observe the work beneath the surface but if the pose is executed with grace it is because the work beneath the surface is done with integrity. This is balance through opposition. This is bridging the places in between. This is the bandhas. Ardha Chandrasana (Half Moon) is an excellent posture to demonstrate this lesson. Assume the posture with your back to the wall and the right foot leading. You will use the wall for support for the back body, including your head. The right foot is a few inches from the wall to accommodate the pelvis. Bend the right knee until it’s over the ankle and then lift the right knee to lift the right hip. Allow the left leg, the back leg, to rise and stop when you feel resistance. Pulse the back leg and up and down a few inches. Stop and observe. With the left leg stuck at the point of resistance, lift up vigorously with the right ankle bone to ignite the lift of the knee and then the hip. The buttocks muscles will respond and begin the rotation of the pelvis. The muscles will move to the bones and pull the skeleton to the mid-line. That is the impetus and support that now allows you to raise the back leg higher. Raise the left leg firmly and note the relation between the two legs. Assume the posture Supta Padangusthasana,(Reclining Hand to Foot Pose) with your back on the floor. Place...
by Hilary Lindsay | Mar 25, 2016 | anatomy, Asana, Ethics, Feldenkrais, Healthy Living, Meditation, nashville yoga, Physiology, Social Commentary, therapeutic yoga, Yoga, yoga class, Yoga psychology, yoga teacher, yoga teaching |
Yoga was a gift from a friend. Later I sought meditation to get me through college final exams. I was a rebellious teen becoming sensitized though I didn’t mean to. Running from a life of certainty I became staff at a Macrobiotic restaurant. The staff was given classes in Macrobiotics by the head chef. You are what you eat. You are who you eat. You are how you eat. Doors of the mind opened. This was the seventies. Base is everything. As the Macros say, “little yin attracts big yin” which meant that a taste of something is enough to suck you into something bigger. It was not a good thing with yin food (talking sugar etc. here) but it was a great thing with movement. I danced. Ballet, Modern and Haitian lead me to the worn wooden floors of dozens of somatic studios. This is how I move, how I look, how I feel. Aerobics, Pilates, Barre, Power Yoga, Feldenkrais, Tai Chi, Breema; the avenues were endless if you were inclined to find them even at the edge of the fitness revolution. From the weird to the woo- woo, to the sublime, to the scientific I dove in to things that seemed to jump out to find me. In California I embraced color healing, sound healing and acupuncture. I tried colonics, dream therapy, re-birthing and then there was Dora Lee the chiropractor who told me to make a list of all my unresolved relationships. She pressed my spine; asked me who number 10 was as the room filled with the smell of cigarette smoke;...
by Hilary Lindsay | Jan 25, 2016 | Ethics, Meditation, nashville yoga, Poetry, Prose, Social Commentary, society, Tradition, Yoga, Yoga and Religion, yoga class, yoga community, Yoga History, Yoga Philosophy, Yoga psychology, yoga teacher, yoga teaching |
My chapter published in the book of the same name titled Yoga in America in 2006 reprinted here for students of yoga A support group The joy of community and the awareness of one’s singular peculiarities The first solitary foray into the wilderness The awakening of a budding teen The first trip to a foreign land The promise of peace A step toward the truth The struggle to be creative and the fight to be competitive The running of the bulls What your friend did to lose weight The sweetness of Satchidananda and the sternness of Iyengar Competitive, corporate, and consumer driven Clothes, gear, and music A traveling circus of superstars The video on the television set of the Kansas farm wife. The workout of the suburban housewife and the Hollywood star An option on the fitness menu at The Golden Door Spa A small class at the community center Offered in rehab and at the local church The silence of meditation and the hip hop on the Dee jay’s playlist Recognized as” Hot” Forever considered cool A rapt audience The innocence of the unsophisticated offering obeisance to the cloth The condemned tenement on New York’s lower East side transformed into a multi-million dollar Mecca An ingredient tossed into aerobics and strength training classes An escape from stress A chance to improve Where East meets West Used to be patchouli and now it’s nag champa Disguised by different titles Confused with enlightenment A step toward enlightenment The memory of the first kiss and the practice of the last breath An open marriage with secret resentments Where groovy...
by Hilary Lindsay | Jan 10, 2016 | anatomy, Asana, Healthy Living, medical yoga, therapeutic yoga, Yoga, yoga class, yoga teacher, yoga teaching |
Below and also here is a link to an excellent article on plantar fasciitis. I’ve given you yoga postures to help with strength and flexibility to assist you. For strength: Tadasana or Mountain Pose Standing with feet slightly apart lift all ten toes to feel the arches rise. Press into the base of the toes. Look at them. Are the little toes coming up as well? Put toes down and maintain the lift of the arches. Lift the arches of the inner knees, the inner groins and lift the inner arches of the hip bones. Pick up the skin of the legs and feet. Pick up the abdomen. To increase awareness, raise your arms, firm the muscle to the bone and pick up the skin of the chest. Soften so there is action without strain. Feel and hold the memory with steady breaths. For flexibility: Vjrasana or Hero Pose and Modifications Kneel on blanket with knees together. Press calves back and sit on heels. Re-position by lifting hips and holding heels together to sit back again with sit bones behind heels which will press the heels forward. If the ankles can stretch more, put a rolled blanket under toes and sit again. If the ankles are tender and need support, put a rolled blanket under the ankles and sit again. If the knees are stiff have another rolled blanket behind the knees or a folded blanket under the buttocks between the feet. Binding the ankles with a strap is the final stretch for the inner ankles but not necessary. You just need manageable sensation. To stretch the outer...
by Hilary Lindsay | Nov 13, 2015 | anatomy, Asana, Healthy Living, medical yoga, nashville yoga, Physiology, therapeutic yoga, Yoga, yoga class, yoga teacher, yoga teaching |
Stand in Mountain Pose, Tadasana Feet root to the ground, tail roots to the heels, head rises from the tail, chest rises and arms draw down Shift to one leg and raise the other foot in the air, knee bent Where does your tongue go? Is it at the roof of the mouth? Is there hardness to the breath? Can you feel the pinch of the pelvic floor and the tightening of the diaphragm? This is the drawing in of the sphincter muscles that correspond to the bandhas Are you gripping? Stand down Step forward purposefully as if over your own arch and raise the other foot, knee bent Is the tongue in a different place? Is it at the bottom of the mouth? Is there softness to the breath? Can you feel the light lift of the pelvic floor and the soft expanse of the diaphragm? Is this easier? When there is too much effort, the trunk clamps down on itself and confines you. When you try to gain space in a posture done with wrong effort, that space may not be good space but compressed space. There will be a lack of prana or grace. When you include space when creating your pose, that space will be good. There will be a sense of prana or good flowing energy and grace. Asana is interpreted as good space. The bandha tone comes naturally when the muscles are directed correctly. This is a combination of sthira and sukkha which is effort and ease. Good space during effort is described by the bandhas. The bandhas...
by Hilary Lindsay | Oct 11, 2015 | Asana, medical yoga, nashville yoga, therapeutic yoga, Yoga, yoga class, yoga teacher, yoga teaching |
Students of yoga benefit from a teacher’s eyes upon them. Teachers don’t usually see their students naked (just skate over that statement please) and seasoned teachers don’t need to but you can learn volumes observing your naked body in front of a mirror. Before I knew I my hip had become arthritic and before I had herniated a disc doing a backbend with a secretly too stuck hip and before I had torn the rotator cuff opposite the stuck hip pulling vines, I watched my body shift and ignored it. I wasn’t in pain. My image was just less symmetrical. When did that happen? I chose to ignore it as I am a steadfast practitioner of denial. A massage therapist noted my ribs shifted right and hips shifted left. A chiropractor’s x-ray revealed a compromised sacrum but it didn’t feel like much until I just misused myself up. Pain forced me to take action. Naked in front of the mirror I stood in Tadasana. My front line veered right. The inseam of my right inner thigh rose several inches longer than the left. My right hip was higher, my right waist shorter. My right foot turned out and dropped in the interior arch. My right collar bone was shorter. Tree pose, Extended Angle, Warrior I and II shined light. I added a rearview mirror to see my lumbar spine snake right before it disappeared in Ardha Uttanasana. (Half forward fold.) I was turned and twisted. I stood at ease to view the habits of my form and reintegrated my structure from the ground...
